Marianne Cherkasova

Trinetta Leona Font Family was designed by Muhammad Alkaf, and published by Muhammad Alkaf. Trinetta Leona contains 1 styles and family package options. Download Now Server 1 Download Now Server 2 Download Now Server 3 About Trinetta Leona Font Family New Trinetta Leona Modern Serif designed typefaces are here to update your font library!These professional resources are also sophisticated because every font has his own magic design. You can use them for pretty much everything like blog header, posters, wedding elements, t-shirt, apparel, cover books, business cards, greeting cards, branding, invitations and quotes and so on.Features: Uppercase Lowercase Numeral Accent (multilingual characters) Ligature Stylistic Sets How To Access Alternate Characters:https://www.youtube.com/watch?v=Go9vacoYmBwhttps://www.youtube.com/watch?v=XzwjMkbB-wQhttps://www.youtube.com/watch?v=x1A_ilsBsGshttps://www.youtube.com/watch?v=xFlMwARHusYhttps://www.youtube.com/watch?v=NVJlZQ3EZU0 Thanks for you

Download Tenon Fonts Family From Signal When we trimmed the serifs off our new slab serif family Mortise , we found a plain, efficient sans that marches through the uncanny valley between grotesk and geometric, with almost circular bowls that lend extra energy to the line. Like its sibling, Tenon has open counters, a generous x-height, and wide proportions that suit small sizes and small screens. Used larger, its brisk, optimistic air makes it a good choice for projects ranging from editorial design to signage. It’s available in six weights, from the precise X-Light to the muscular X-Bold. Download Tenon Fonts Family From Signal Download Now View Gallery

Download Cosmetic Font Family From Indian Type Foundry Cosmetic is a very high-contrast family of sans serif fonts. As its name implies, it has been developed for exquisite applications, like the corporate identity of fashion or beauty product firms, or for cosmetic product packaging design. For centuries, the fashion world has looked to France for inspiration. Cosmetic does not disappoint; it is a ‘French’ typeface, designed by Jean-Baptiste Morizot. Aside from its general elegance, the most gallic part of Cosmetic is its lowercase ‘g’, whose form calls back to some early 19th century Didot typefaces. Each font includes a more standard-looking ‘g’ as a stylistic alternate, as well as a narrower ‘f’ that may be automatically substituted into the text via a Contextual Alternates OpenType feature, to help it avoid colliding with certain letters that might follow it. Cosmetic’s letterforms appear slightly extended when compared with many other typefaces. This gives t